A legend in her own time, Australian artist Vali Myers was the premiere dancer with the Melbourne Modern Ballet at the age of seventeen. Leaving home in 1950, she spent years in Paris, where the Dutch photographer Ed van der Elsken photographed her and some of the other young people hanging out in the cafes. Those photos became the book, Love on the Left Bank. During that period she befriended George Plimpton, who published an article about her, along with some of her drawings, in The Paris Review, the first time her artwork was in print.
In 1958, Vali and her then-husband Rudi Rappold made a home for themselves in the wild Valley of Il Porto in Positano, Italy, where she would live for the next forty years, working on her exquisite drawings and looking after a large menagerie of animals. She fought local authorities who wanted to introduce loggers into the Valley, and succeeded in having it designated a protected wildlife oasis.
When she returned to Australia in 1993 for the first time since she’d left, she found herself welcomed as a national treasure. In this memoir by her long-time companion Gianni Menichetti, Vali’s life and life’s work are brought into beautiful, clear focus with wit, candor, and great affection.
This record was compiled from the recently discovered Scrivani Tapes. George Scrivani, Corso’s longtime friend, traveled with Gregory in the late 1970s throughout Europe. Having cut his bootlegging chops at various Operas in Europe, Scrivani recorded Corso at various readings, interviews and events. This included an impromptu lecture Corso gave at the JFK Institute, in Berlin, on the genealogy of the Beat Generation.
Upon returning stateside, Scrivani continued to record Corso in San Francisco, in the 1980s, at locations such as S.F. Art Institute, New College (r.i.p.) and the legendary Keystone Korner in the North Beach neighborhood.
The Keystone Korner tapes include a phenomenal reading with Allen Ginsberg in 1980. The two had not read together in San Francisco since 1956.
Another Keystone Korner tape features Jaki Byard on piano, the legendary multi-instrumentalist/composer/arranger, joins Corso for two extended poems.
Each side contains 27 minutes of unprecedented Corso material.